INHYUNGIN explores the nature of the relationship between spirits and objects, which concern the perfoermer s awareness of totality in their enclosed environment, as they listen to what objects want to do and watch space and time. They aim to refine the exploration of any kind of effective relationship with one s daily surroundings. Their work encompasses theater and performance through object and pupet work, physical movement, digital media, installation and text. Their production Migrant Overtures was invited to the London International Mime Festival and The Festival of Visual Theater, Visions 2004. It has been developed into a multi-layered work about contemporary life, by working with different performers in Europe and Korea. The multi-experiential challenge is ti look at the possibility of a worldwide tour, which can create a contemporary route to one s home .
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