[Publication] PERFORMING ARTS OF NORTH KOREA (KOREAN MUSICOLOGY SERIES 10)

PREFACE/ JAEWON LIM 002
INTRODUCTION / HEE-SUN KIM 007

CHAPTER I General Characteristics and Categories / YOUNGSUN JEON 015
CHAPTER II Literary Art Theory / SEONGSU KIM 049
CHAPTER III Vocal Music / SANGMI KO 085
CHAPTER IV Instrumental Music / IHNGYO BAE 121
CHAPTER V Dance / CHAEWON KIM 153
CHAPTER VI Gageuk Opera / HYEONSIK CHEON 213

REFERENCE 241
GLOSSARY 255
CONTRIBUTORS 265
DISCOGRAPHY 272
LIST OF KOREAN MUSICOLOGY SERIES 276

[Press Release] National Gugak Center releases publication on NK performing arts

By Im Eun-byel[silverstar@heraldcorp.com] of The Korea Herald (Feb 3, 2020) (ARTICLE LINK)

The National Gugak Center recently released an English-language publication on the performing art scene in North Korea.

The center has been publishing the Korean Musicology Series since 2007, aiming to promote understanding about traditional Korean arts, encouraging its globalization and international exchanges.

A total of 10 English-language books have been released, one each on pansori (traditional narrative singing), sanjo (instrumental music) and Korea’s traditional folk song “Arirang,” as well as on other subjects related to traditional Korean art.

The latest release, “Korean Musicology Series 10: Performing Arts of North Korea,” delves into the performing arts of North Korea. According to the center, it is the first English publication specifically about North Korea’s performing arts.

The book consists of six chapters, written by professors and experts of North Korean art who are based in South Korea. Kim Hee-sun, the director of the division of music research at the National Gugak Center, and Keith Howard participated as editors.

Keith Howard is a professor emeritus at the School of Oriental and African Studies, University of London, and has been studying traditional Korean art since 1981. He has written and edited numerous publications about traditional Korean art, including, “Songs for ‘Great Leaders’: Ideology and Creativity in North Korean Music and Dance.”

“Study about North Korean art is part of the journey to recover the homogeneity of culture of the two Koreas, being an attempt to provide an overall understanding of art in Korean Peninsula. I hope in the near future, we can write history about new Korean art through co-studies and academic exchanges between the two Koreas,” said Lim Jae-won, the center’s chief.

“Also, I hope that this book can be of help to scholars around the world who are to start studies on North Korea’s performing arts, contributing to the continuance of peace between North and South Korea.”

The publication will be distributed to overseas universities and institutions. It is currently available in PDF form at the center’s website: www.gugak.go.kr.

By Im Eun-byel (silverstar@heraldcorp.com)