Performance Info
“Healthy but useless limbs even incapable of reaching the grave…… Even dreams run out and fade away”The time of disillusionment and lethargy meets the portrait of ourselves in despair
The
performance finds a motif from the poem
Those who failed to enter their graves lose destination and hover in time and space where life and death co-exist, like the coffins scattered on the stage. Coffin, grave, wind, and opposing movement are the main components of the performance. Through these four elements, it shows the sense of lethargy and despair of our contemporaries living today.
Synopsis
A group of people appear carrying a coffin; seems laborious but they are well-accustomed to it. They hover and stray around the dead bodies of the victims. Even with no physical defects, they are incapable of hiding their shameful faces. Thus they succumb to lethargy and wander aimlessly.
Company
Theatre Momggol
Theatre Momggol is part of the Momggol Group, along with the Momggol Imagination Training Center that bridges the local residents with its community, and the Arts and Culture Leader Ggol which specializes in designing art projects. In its early years, Theatre Momggol gained a reputation for its productions covering social issues by employing body and object, and has performed mainly on stages outside of conventional theatres. The company never stops grafting unfamiliar languages onto its works, taking risks by gathering minority artists and bringing a sense of justice to the stage that our society has forgotten or ignored.
Credits
Writer/Director Jong-yeoun
Yoon
Dramaturge Hye-sin Hwang
Stage Manager
Chan-mi Jung
Lighting Designer
Eun-joo Jung
Music Howling Macha(Kyung-soo
Kim, Jae-duck Koh)
Planning Jung-a
Bae, Hye-won Shin, Hyun-jin Yim
Cast Jong-tae
Park, Jae-yeong Seol, Ki Min, Jeoung-eun Kim, Jea-hyun Noh, Jae-wook Shin
Production Details
- Director
Jong-yeoun Yoon
As leader of Theatre Momggol, Jeong-yeoun Yoon has been working on bringing together human bodies, objects, and materials found in a specific space, breaking the border between rationality and instinct on the basis of physical and aesthetic perspectives. He previously worked as Associate Artistic Director at the Chuncheon International Mime Festival from 2012 to 2013, and as Artistic Director at the Ansan Street Arts Festival from 2014 to 2016. Since 2015, he has been leading the Korea Street Arts Center as well as his own theatre company. His works include <Handcart, Overturned>, <Starved Rest>, <Bad Impulse> and <The Wheel>.
Reference
- Durationmin : 50