Synopsis
➀ Abyss
‘Abyss’ expresses the sentiment of sorrow from humans’ inner side. On top of the teobelolim rhythm led by the gayageum, the weighty solo by the flugelhorn is impressive. Composed as part of a series along with ‘Pray’ and ‘The Other Side,’ ‘Abyss’ stands out with its dramatic structure.
➁ The Other Side
The critically acclaimed and award-wining piece ‘The Other Side,’ is kaleidoscopic with its complex rhythmical structure, yet very traditionally organized. The virtuoso finale has been thrilling the audience worldwide.
➂ Binari
In ‘Binari,’ SE:UM interprets a traditional Korean prayer wishing for good luck, longevity and wellness with contemporary approaches. The ensemble of the saxophone, percussion, contrabass and gayageum over the jajinmori rhythm contains the philosophy behind traditional Korean music.
➃ West
‘West’ describes sunset, a moment between life and death. The twofold nature of sunset is depicted by the melodic motif of a folk song from Korea’s western area and the asymmetric rhythm of 5 and 7 beats.
➄ Yang-Yang
Yang-Yang, meaning ‘elated’ in Korean, incorporates puneori (shamanic rhythm from Korea’s East Sea area) and funky rhythm. Along with the melodic improvisation of the saxophone and the trumpet, the tension and relaxation of the traditional rhythm generate synergy effects. 
➅ Pray
Starting with the gueum (Korean scat singing), ‘Pray’ is a festive piece comforting spirits. Its upbeat mood reflects the traditional funeral culture of Korea.​